The second of a back-to-back set of recent episodes, “Actuality Shock” provides us scarcely any ahead movement for Elsbeth’s DOJ-mandated investigation of potential corruption in her assigned precinct, however a bit like Hansel and Gretel following the trail of stones within the moonlight, Elsbeth’s eye for shiny and tenaciously clinging glitter ultimately leads her the place she actually must go.

Our homicide sufferer of the week is Wendy Wexler (Nadia Dajani), electrocuted in her tub with considered one of her personal personally branded blenders (Wendy’s Blendies!) after attempting to blackmail Skip Mason, her (faux) buddy and (precise) govt producer on the super-successful actuality collection Lavish Women. The blackmail gambit was a bridge too far for Skip, particularly after Wendy portentously name-dropped Katricia, who’s as but unseen, however let’s keep in mind her title. Ultimately, Wendy’s attain exceeded her grasp, and Skip turned Wendy’s Blendies in opposition to her. He’d informed her to knock off the fixed impromptu product placement, however would she hear? No! The over-the-top model of Chekov’s gun that outcomes is one way or the other each grim and pleasant.

For readability and authorized causes, Lavish Women is totally, positively, 100% not The Actual Housewives of New York. Skip — Jesse Tyler Ferguson, expertly delivering an more and more high-strung and indignant man on the verge of a nervous breakdown — proudly shows framed posters for the entire Lavish Women franchises he’s spun off over time in his workplace. His ratings-crushing brainchild is Skip’s satisfaction and pleasure, and as God is his witness, he was not about to let the likes of Wendy and her threats of blackmail endanger the movement of cash and energy he’s grown so used to having fun with.

I can’t assist considering that if this man had gotten out of the Lavish Women sport simply after it hit large, he might have loved a protracted, luxurious, residuals-fueled retirement solely free of those girls who he spends the remainder of the episode describing as spoiled, foolish, untrustworthy fame whores and lushes, every of whom he additionally (privately) claims is his favourite. He in all probability wouldn’t have turned to homicide, which might have been a greater consequence for everybody! As an alternative, he’s caught on a gilded hamster wheel of his personal creation, making use of his modifying expertise, glorious reminiscence for particulars, and technological know-how to create an alibi-furnishing voice-mail utilizing a snippet of Tracy (Rebecca Creskoff), a chronically late Lavish Girl, celebrating being virtually on time for as soon as.

Considering that his modifying prowess has executed the job of deflecting any suspicion that might have been heading his manner, Skip isn’t as vigilant as he ought to be as soon as Elsbeth and Officer Kaya are on the scene. Like crows and ravens, Elsbeth is drawn to shiny issues, and likewise like these good corvids, she’s superb at problem-solving. Skip is just no match for Elsbeth’s sparkle-fixated tenacity, notably when paired with Kaya’s encyclopedic information of Lavish Women.

This peek into Kaya’s pursuits outdoors of labor continues the event of her investigative partnership and friendship with Elsbeth. After being somewhat bit miffed at Elsbeth for outing her at work as a Lavish Women superfan, Kaya softens her stance, inviting Elsbeth to her place in Queens for a crash course in Lavish Women lore. The night provides Elsbeth the chance to understand Officer Kaya’s eye for inside design and proves essential for Elsbeth’s dogged meeting of the various, different particulars she wants to interrupt Skip’s alibi, a course of she begins on her personal and later continues at Captain Wagner’s request. There’s undoubtedly a grudging admiration factor occurring for him now.

The primary element Elsbeth chases down is the function of glitter on this homicide, and it’s ubiquitous — in Wendy’s tub, courtesy of the tub bombs she flogged through Cameo; on sloppily cleaned wineglasses in her kitchen cabinets; on Skip’s arms as he sat for an on-set manicure the morning after Wendy’s dying. The second piece falls into place as Elsbeth catches Tracy’s memorable remark about being on time, full with an exuberant “yay for me!” throughout her binge watch at Kaya’s house. What are the possibilities that she’d say the very same phrases, with the very same intonation, on TV and by likelihood on a voice-mail?

As soon as they start, Elsbeth and Kaya decide at thread after free thread within the general narrative Skip has been weaving. He repeatedly describes Wendy’s consuming as unhappy, however her post-mortem reveals that she wasn’t drunk or excessive on the time of her dying, lowering the chance that she knocked the blender into the bathtub in a stupor. In addition to, margaritas are a celebration drink. It simply doesn’t add up! Skip’s modifying of Lavish Women appears to show that Wendy and Tracy had been large rivals, however a sincerely stricken Tracy reveals that they had been truly honest besties who deliberate their faux fights prematurely to let Skip maintain on to his fantasy of being a drama mastermind.

Skip’s delusions of puppetmaster grandeur lengthen to his modifying prowess, as he boasts/tells on himself, “I could make anybody appear the way in which I would like, given sufficient footage.” He thinks that his villain’s edit of Wendy’s long-suffering paid intern Valencia (Tavia Hunt) will seize and maintain Detective Donnelly’s investigative eye lengthy sufficient for him to wriggle freed from any scrutiny, however one transient follow-up interview with Kaya and Elsbeth places paid to that little scheme. Wendy drove Valencia up the wall, however she’d by no means have killed a boss it was really easy to steal from. The NYPD thanks you for the refreshing candor, Valencia. In the meantime, Skip does himself no favors by clinging to his authentic edit. Why is he being persecuted like this? He’s very busy, he made these girls right into a cultural phenomenon, and by the way in which: He has an alibi! The Max Fischer screaming “I wrote a success play!!” vitality right here is so humorous and so telling.

Lastly, Officer Kaya and Elsbeth resolve the Katricia (Julie Ann Emery) query. She had been an authentic Lavish Girl however left the present beneath a heavy cloud of scandal often known as the Montauk Meltdown. Drunk and maybe additionally excessive, Katricia had misplaced it on-camera, ultimately stripping solely. It was nice TV, however it was a merciless trick; throughout a dialog at Katricia’s Chelsea hideaway (a element furnished by Kaya, because of a short point out of it on a podcast), Katricia reveals {that a} remorseful Wendy had ultimately confessed to serving to Skip drug her and had ample proof to both get him again or go to jail. Hmm!

For a girl who obtained shoved out of a actuality collection rooted in pettiness and messy for being too sober and levelheaded to be good TV, Katricia certain is aware of how one can convey the drama. She turns up at Wendy’s memorial service in a Ferrari-red ensemble (together with a black-and-red fascinator festooned with feathers and tulle) and tips Skip into confessing whereas unknowingly being on-mic. Narrative symmetry! We like to see it.

• One other week, one other detective in want of Elsbeth’s recent eye. As Detective Donnelly, Molly Value delivers a number of the episode’s funniest strains, together with my favourite, “Why do individuals insist on mixing frozen cocktails within the lavatory?!” It’s nonsensical, however she sells it superbly.

• For those who, too, harbor a fascination with the sinister sparkliness of glitter, Caity Weaver’s 2018 deep dive into its origins, makes use of, and secrets and techniques ought to be on the high of your to-read checklist.

• If Elsbeth’s Captain Wagner Corruption-Watch strikes you as odd on this episode — why is Elsbeth performing like that is the primary time she’s heard about Wally and his propensity to do silly issues? — simply recollect it’s a blip attributable to the schedule change that swapped the airing order for the season’s second and third episodes. After being cautioned by Wagner to neglect she even heard Wally’s title, she asks Lieutenant Noonan (Fredric Lehne) about it, however he brushes her off, saying he and Wagner have identified one another since their days on the Police Academy and he’s obtained extra integrity than anybody else Noonan is aware of.

• Costume of the Week: a really robust name, however I’m giving this honor to the fiery pepper-red-orange blazer and polka dot pussy-bow shirt paired with black cigarette pants ensemble Elsbeth wears down on the NYPD precinct.

• One of many framed Lavish Women posters in Skip’s workplace has a typo, referring to a “season premier,” fairly than the right spelling, “premiere.” My headcanon is that Skip truly thinks that’s the right spelling and that he threw a giant tantrum about it, adopted by being unbearably smug as soon as everybody else determined it wasn’t value arguing over. Looking back, they’re all glad they dropped it as a result of what in the event that they’d wound him up sufficient that he’d killed them, too?