Zack Snyder goals in gradual movement, his reveries alight with cascading sparks, mushrooming fireballs, and brightly coloured power beams streaking by way of the air. There’s no trendy director more proficient at crafting attractive pseudo-static tableaus of superhuman and science-fiction mayhem and insanity, and he reaffirms that status with Insurgent Moon—Half Two: The Scargiver, which hits Netflix and choose theaters April 19, the second half of a two-movie epic that started with final December’s A Youngster of Hearth.

Alas, the draw back to Snyder’s fondness for hitting the figurative brakes to stare upon women and men in over-the-top, fit-for-Heavy-Metallic-magazine panoramas is that his materials typically grinds to a halt, and that’s by no means been more true than along with his newest, whose visible splendor isn’t any match for his simplistic, by-product plot.

Having defeated admiral Noble (Ed Skrein) on the conclusion of the prior movie, fugitive insurgent Kora (Sofia Boutella) returns together with her mates—love curiosity Gunnar (Michiel Huisman), common Titus (Djimon Hounsou), cyborg swordswoman Nemesis (Donna Bae), animal tamer Tarak (Staz Nair), and soldier Millius (Elise Duffy)—to Gunnar’s dwelling planet of Veldt. There, she delivers the excellent news that Noble is lifeless and that their crops at the moment are protected from the predatory clutches of the Motherworld. What she doesn’t know is that Noble didn’t perish of their final scuffle and has been resurrected by his comrades in a techno-chrysalis that’s juiced through shiny blue and purple tubes. Even with out this info, nevertheless, Veldt’s celebration is short-lived, since one in every of their very own is working as a double agent for the Motherworld, and reviews again that the villains will arrive (in 5 brief days) to make their common grain pick-up.

Kora and firm are thus compelled to choose up the harvesting tempo, and that endeavor, in addition to their efforts to rework the locals into commandoes, dominates the turgid first half of Insurgent Moon—Half Two: The Scargiver. These sequences permit Snyder to as soon as once more indulge within the Terrence Malick cosplay—marked by photographs of wheat being caressed by palms, scythed and crushed, and sifted within the brilliant morning solar—that he first carried out in Man of Metal.

Veldt is depicted as a heat, rugged land whose persons are in contact with nature and one another, and it’s juxtaposed with the darkish, imposing, laser-illuminated confines of Noble’s starship. Nonetheless, such contrasts do little greater than leadenly signify good and dangerous, proper and improper. From a structural perspective, the script (by Snyder, Kurt Johnstad and Shay Hatten) is a clunky and standard beast, in addition to an inert one, padding its threadbare narrative with flashbacks that reveal the clichéd backstories of its various heroes.

Of those rearview-mirror glances, the one related one issues Kora, who—having been raised and molded right into a peerless warrior by the Motherworld’s chief scoundrel, Regent Balisarius (Fa Free)—helped assassinate the universe’s king, queen, and younger princess, whom Kora was tasked with defending. For her treachery, Kora was then betrayed by Balisarius and compelled to go on the run, and he or she discovered security and love (within the arms of Gunnar) on Veldt. Someplace alongside the way in which, she additionally picked up the nickname “The Scargiver,” which sounds cool however primarily leads to Noble speaking about how he was scarred by the Scargiver, and now desires to indicate her his scar (no, significantly). Boutella’s heroine is a tortured soul who’s torn between her previous and current selves, but in observe, her inside life is essentially irrelevant, on condition that Kora’s urgent battle is with Skrein’s Noble, a practical rival who believes that murdering the outlaw will assist his profession.

When their showdown arrives, it’s solid in the identical unimaginative Star Wars mildew because the earlier movie, full with fiery glowing blades clashing as demise and destruction erupts throughout them. Snyder offers this finale a lift by actually tipping every thing on its facet, nevertheless it’s not sufficient to offset the truth that his presents for composition and staging are largely wasted on situations which have been seen one million instances earlier than.

There’s a wealthy, glistening luster to Insurgent Moon—Half Two: The Scargiver’s greatest pictures, and when it pauses lengthy sufficient to take a breath—say, to ponder an intergalactic sky crammed with big moons and planets—it may be fairly pretty. That moreover goes for its sporadic, mysterious photographs of Jimmy, a insurgent robotic who as soon as served the identical king as Kora, and who now lives within the mountains of Veldt, decked out in a tattered gown and antler crown, and talking within the voice of Anthony Hopkins.

Jimmy epitomizes a lot of those proceedings, in that he’s placing to take a look at and a horrible bore designed solely to facilitate crude storytelling. Except for just a few sage phrases, Jimmy’s objective is to lurk on the perimeter and, on the proper second, to leap into badass motion, thereby fulfilling his true deus ex machina position. That’s greater than will be stated about his compatriots, who stay a drearily featureless bunch. All are basically sincere and upright freedom fighters who have been persecuted or betrayed by the Motherworld, and all show Herculean fight prowess, felling hordes of enemies in their very own distinctive methods. The guerilla warfare that consumes the second half of Insurgent Moon—Half Two: The Scargiver, nevertheless, is as hackneyed as it’s interminable, and the latter high quality is exacerbated by Snyder’s fixation on slowing each different shot right down to a veritable standstill, the higher to facilitate appreciation of his CGI sound and fury.

Set to Tom Holkenborg’s bombastic rating, Gregorian chanting, and limitless pew-pew-pews, Insurgent Moon—Half Two: The Scargiver roars and rampages, but its drama can’t match its aesthetic pomposity. A depressingly skinny and lifeless saga of underdogs triumphing within the face of insurmountable odds, it trades solely in components and phony corner-cutting.

At a sure level throughout its seemingly limitless centerpiece, questions start to come up concerning the primary logic of this story, contemplating that irrespective of how Kora and her mates fare on this specific battle, the Motherworld can all the time return at any second to annihilate them. To his credit score, Snyder does in the end have a solution for such nagging points. Sadly, although, they contain essentially the most worn-out and undesirable of all units: the we’re-just-getting-started cliffhanger meant to arrange further sequels.