If a tree falls in a forest, does it make a sound? And if a star stars in a film however is solely unrecognizable, does it matter?

The reply to that first query is self-evident, based on Sasquatch Sundown, which follows a pack of 4 of the legendary creatures of its title over a 12 months as they cope with internecine drama, climate some losses, welcome new life, and face an existential risk. The deep woods through which the movie takes place could also be principally free from human encroachment, however these cryptids bear witness to what’s taking place and contribute some distinctive noises of their very own. The reply to the second query is a bit more fraught.

The Bigfoots — Bigfeet? — are all performed by actors in furry bodysuits and expressive facial prosthetics that enable every character to be a particular particular person whereas obscuring the particular person beneath. A type of individuals is Jesse Eisenberg, who performs the older of the group’s beta males, a reflective kind whose efforts to quantity the celebs are stymied as a result of he isn’t in a position to depend previous three. One other is Riley Keough because the clan’s sole feminine, a state of affairs that goes a good distance towards explaining why her character’s default expression is considered one of resigned acceptance. There’s no dialogue, however the Sasquatches talk volumes by means of grunts, hoots, shrieks, gestures, and, when the event requires it, bodily fluids.

These are actual performances, in different phrases, although they’re no extra concerned than those given by Christophe Zajac-Denek, because the quartet’s youngest member, and Nathan Zellner, who, along with directing the film along with his brother David, performs the glowering chief. Whereas there could also be extra to appearing than exhibiting off your well-known face, the casting of title expertise to present wordless portrayals beneath mounds of latex has the air of a stunt. Loads of the film does. The glee everybody concerned clearly felt in getting this inconceivable flick made is rarely balanced out by a way of why anybody would want to really watch it.

Look, all of us need to see one thing genuinely totally different. Sundance, the place the movie premiered, as soon as had a status as a haven for work too daring for the mainstream, although in recent times it’s extra of a showcase for movies which are functionally audition tapes to direct a franchise installment or streaming drama. To its credit score, Sasquatch Sundown is certainly not that, although it isn’t sufficient for a stand-alone movie, both. The Zellners got here up by means of that competition scene with ingenious and idiosyncratic DIY shorts, with considered one of them being 2010’s Sasquatch Delivery Journal 2, through which a cryptid provides delivery in a tree in a grainy single shot, then rinses her crotch and her new child off earlier than scampering away. Their full-length motion pictures embrace 2014’s Kumiko, the Treasure Hunter, starring Rinko Kikuchi as a Japanese lady fruitlessly on the lookout for the ransom cash from Fargo she’s satisfied is actual, and 2018’s Damsel, a western comedy starring Robert Pattinson, Mia Wasikowska, and a miniature horse.

These longer works generally tend to really feel like an hour’s price of participating concepts stretched over a characteristic’s runtime, a sensation that’s doubly true for Sasquatch Sundown, which in all probability may have completed all it wanted to in half-hour. It lumbers alongside, taking the observant tone of an un-narrated nature documentary, with the native fauna offering response photographs to sequences just like the early one through which a pair of the Sasquatches mate noisily whereas the opposite two look on. Sasquatch Sundown’s creatures, whereas usually human-shaped, have the unfettered habits of animals, however the movie can’t assist however lean into this as a joke somewhat than simply letting it’s. A scene through which the Sasquatches freak out over the invention of a paved street turns their response into slapstick as a substitute of constructing clear whether or not what they’re feeling is meant to be territoriality or real panic.

The cryptids do face another, extra instant conflicts — they expel a member of their group for dangerous habits and lose one other to an incident impressed by, of all issues, the 1971 Paul Newman film Typically a Nice Notion. However Sasquatch Sundown wavers between earnestness and irony in a approach that erodes its ultimate flip towards pathos, one which feels prefer it may need been more practical if the movie as a complete have been tighter and fewer of a protracted meander by means of bodily humor and meditative sequences of chewing the cud. Greater than something, I wanted, leaving it, that there have been room for movies between shorts, which frequently vanish into nothing, and options that have to make a splash to justify their being — room to have Sasquatch Sundown exist outdoors the pressures which have formed it, as a lark. As it’s, it looks like a redwood teetering on the snapping point, ready to search out out if human consideration will mark its existence.